Fujifilm's latest model X-H1 is a camera made for video. It can still be relied on when taking still photographs, but it is clear in the design that the device is especially made with videographers in mind.

One of its highly-anticipated features is the in-body image stabilization, or IBIS.

Lenses made by Fujilfilm are known to be naturally unstable, and they reportedly rely on fast apertures to compensate on their low-light performance. With IBIS, this problem is alleviated due to the fact that the stabilization is within the camera itself. Any variation of lenses can be attached to the camera and the IBIS will make sure every moment captured is stabilized.

The camera also supports 4K (4096 x 2160) recording resolution, plus a Rec.2020 color gamut all running at an impressive 200Mbps bitrate. In addition, it can record 1080p "slow-motion" videos at a rate of 120 frames per second (FPS). It has an improved built-in microphone, but a jack accepts external mic input, as well.

Another proof that Fujifilm targets videographers with the X-H1 is the inclusion of the Eterna film simulation feature. When activated, Eterna mode mutes the colors on the recordings so that the produced video can afford more flexibility during post-production.

The X-H1 retains one of its predecessor's features: the APS-CX-Trans III sensor rated at 24 megapixels (MP). Other than that, it does not share much similarity with the Fujifilm X-T2.

Along with the new camera model, Fujifilm also announced that they will be launching two X-mount cinema lenses. These are the Fujinon MKX 18-55mm f/2.9 and MKX 50-135mm f/2.9. These lenses were actually initially produced by the company for Sony e-mount cameras, and it is clear that the lenses are meant to work well with video.

The X-H1 will be available on March 1 and it is expected to cost around $1,899.95. The Fujinon MKX 18-55mm f/2.9 can be bought for $3,999.95 and the MKX 50-135mm f/2.9 for 4,299.95.